To me, the album’s title track is an intergalactic 120bpm analog ramrod which recounts the tale of a heroine questing after The Crystal Machete. A multi dimensional blade which can only be obtained by outwitting magical booby traps laid out by prehistoric ancient sorcerers from the old world. Both dance-able and cinematic, it gathers it’s power from Lovecraftian Horror wearing a 1980’s mask of synthesis. A more fitting title may have been “At The Mountains Of Mootness.” - Wes Borland
Wes Borland (Limp Bizkit, Gitarre) mal anders. Keine verzerrten Gitarren, viel Elektro und Soundtrack. Ich mags <3
Schreiben Sie einen Kommentar